|
Green Lantern Vol. 4, #30
Published
April 30th, 2008
Writer : Geoff Johns
Penciller : Ivan Reis
Inker : Oclair Albert
Cover : Ivan Reis & Dave McCaig
Review by
Andrew NDB
 
of
    

We come now to "Emerald Dawn,
Take Two" book two. Let's dig in!
We start off by
catching up with Hal, now working as part of a ground crew for Arden
Air. Right off the bat we spend about half a page on a
moderate retcon... now, apparently, Hal never called Tom
Kalmaku "Pieface" or "Pie." All right, fine, it's become
something of a slur in our current day and time and probably
Hal should never call him that. But actually stopping the
story and taking a moment to go, "Now wait, Hal never called
him that! Here, you see? He doesn't!" kind of makes me begin to wonder... what is Geoff
Johns' true goal here: to tell the best Hal Jordan origin
story he possibly can, or just to slowly go over a list of
things he just wants to change/retcon from previous material
and tie things to Blackest Night?
I don't want to hate on
what he's doing here, but it seems like Geoff may be a little too
concerned with the latter by this point (but we're only two
issues out of six, and this is totally going to be an arc I
want to judge after it's over and in hindsight as a whole). And Hal
calling Tom "Asian"... I'm far from an expert, but aren't Eskimo
people/Inuit all technically Native Americans? I know if you
go back far enough they probably came over from Asia, but
then if you're going that route, didn't we all come from
Africa in the beginning? Those nits are a pickin', perhaps.
We could've easily avoided the issue of "Does Hal still call
Tom Kalmaku 'Pieface' back in the day" altogether (and just
have left it up to the reader), is all I'm saying, and still
been able to move forward in this story. It just wasn't that
big of a deal until it was made such here.
Hal laments flying,
and remembers his dad. A couple of weighty panels as the
wreckage of Hal's dad's final ride is dragged by him. We get
into Hal's head more about the original "Four Musketeers,"
his dad and his dad's flying buddies, one of which being Mr.
Arden, whom Hal now works for.
We see Hal's
reintroduction (as an adult now) to Carol Ferris, as Arden
Air is about to be sold to Ferris. It's played pretty
straight-up, aside from the splash page used to make the
moment seem more epic (it doesn't work, by the way, but Ivan can
draw a mean curvy lady and he does Carol justice). There is
a touching moment where Mr. Arden indicates that one of the
conditions of the buyout was that Ferris keep Hal on board.
Hal going to his
father's wrecked jet and sitting in it, I'm a little bit
divided. On a quick read-through it didn't bother me at all
and, yes, shows us a different side of Hal that we're
generally
ill-allowed to see otherwise in Vol. 4, and I kind of
appreciate the symmetry as we see him there again as Abin
Sur descends on Earth. But really... by
this point, do we have to see Hal Jordan literally sitting
in the cockpit of his dead dad's jet? He misses his dad, I
get it (and the earlier page where the jet is dragged by him
pretty much covered this)... why the redundant underscore?
I'd rather see a little more attention to Carol, or more
interaction... I don't know, something.
Switching gears and
getting into Abin Sur and his story a bit, we see him
ferrying Atrocitus from Ysmault to Earth to show him where
(and how, I'm guessing) the Blackest Night gets spawned to
thus prevent it. To summarize a bit, Abin Sur concedes he
feels fear (even if he doesn't say it), Atrocitus frees
himself, and we see the (new) reason that Abin Sur's ship
crashed on Earth... and now we're presented literally with
the killer of Abin Sur.
Just for fun, let's
take a look back over twenty years to 1986 at Tales of the Green Lantern Corps
Annual #2 and how Alan Moore wrote these events happening:

This
time, in 2008, he literally hears them laughing, doesn't he?
Atrocitus was right next to him, apparently.
I only bring this up
because I think it's worth mentioning that this was the same
issue (and even the same tale) from Alan Moore that gave us
the original Prophecy of the Blackest Night. It's
interesting to me that Geoff would pick and choose to take
something so completely as the Prophecy as depicted in this
issue and same tale, yet alter the ending of the tale... but
then I remember, "Wait, the whole thing with this story is
that it's Sinestro telling it to a bunch of criminals and to
impress the Mad God Sector... of course it might not be 100%
true."
I do like Atrocitus
there, I think. And it never really completely sat right
with me that Abin Sur died just from his injuries from the
crashed craft. Questions pop up, but the kind that you
excuse because they're intrinsically part of a Untouchable
Comic Book Character Origin Story, questions like, "Wouldn't
Abin have just leapt out of his spaceship as he saw it
beginning to crash?" "Back in the era where the rings were
literally supposed to protect bearers from mortal harm,
would his injuries really have been that serious?" Here
Geoff gives us a pretty good, logical answer: because Abin was
distracted by getting the crap beat out of him by Atrocitus
the whole way down. Works for me.
And I think...
1) Sorry, Mr. Moore,
but Atrocitus is cooler than a "yellow radiation girdle."
And, hell...
2) Sorry, Mr. Bright
and Mr. Owsley... Atrocitus is way cooler than Legion, too.
To that end I really
extend props to Geoff. A bit of stuff in the present
brewing, a bit of stuff revealed here in the past... in
short order, he's created from the ground up a damned
compelling, badass GL villain. I look forward to seeing more
of him.
By this point I can
compare "Secret Origin" to "Emerald Dawn," as we are now
well within the events in time that that arc covered. How
does, say, GL #29 and #30 stack against Emerald Twilight #1?
Overuse (abuse? I would dare to say so) of splash pages aside, very well! I was
incredibly impressed by the exploration of Hal's younger
years in #29, the relationship with his family, all of that.
#30 doesn't do too much aside from provide us the "Hal gets
the ring" sequence and provide a glimpse at his civilian
life at Arden/Ferris Air. In these two issues, and
especially this one, Hal is sharing space/pages with Abin
Sur and his story, while Emerald Dawn #1 was all about Hal's
story -- I'm not saying which take is "better" and I'm not
even sure I really know. I can tell you that I like the Abin
Sur bits... I like to see more dots connected between the
Alan Moore tale and the Blackest Night that looms over GL
like the Grim Reaper these days. But about the actual
stories, the actual story-telling? Highly subjective. Just
re-flipping through Emerald Dawn #1 now, there just seems to be
so much more "going on" there, so much more depth and time
allotted to the interaction of characters... the trouble
with Emerald Dawn #1, though, is that most of the characters
in it that aren't Hal, Carol, or Abin Sur aren't
particularly interesting -- pound for pound, though, there
is more story in Emerald Dawn #1 than either GL #29 or #30
alone. And not a single splash page... something you'll find
an alarming, jaw-dropping seven of in GL #30 alone.
Entire pages, just a single picture and minimal captions.
Don't know what to
make of Hector Hammond popping up at the end. I'm intrigued.
Maybe I've beaten
around the bush a bit with this issue. Do I like it? Yes, I
am ready and eager to digest Part 3. Do I like it more than
last issue? No, I think it's a bit of a step down in the
character department. As cool and cinematically as a lot of
the sequences are laid out here I felt the Carol-Hal stuff
fell pretty flat but mostly because not nearly enough time
was afforded to it (and here we are, already onto Hal as GL
now). With seven splash pages that could have been
converted into actual story, I don't think there's any
excuse for it.
And c'mon, DC... white
boots on Abin Sur and Hal Jordan in the arc that is
supposed to redefine the origin of the definitive Green
Lantern? I know Moose left some
pretty big boots to fill, but hiring guys that at least know
the basic colors of a GL uniform should kind of be a
prerequisite.
 
|